. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "ACW" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Reshaping" . . . . . "Reshaping" . "Reshaping"^^ . . . . . . . . "2002-06-04T20:46:53+02:00"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "344"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "In this frame an Deformer deforms an Undergoer possibly against a Resistant_surface such that it undergoes a shape-change from its canonical or original shape into the Result, a new shape. Some of these words indicate that the Result is an undesirable alteration of the norm, and in such cases the lexical unit is marked with the semantic type Negative. \nThis frame does not include senses that specifically indicate causing harm to a living being.\nEllen crumpled the paper into a ball.\nMichael flattened the can against his head.\nMix butter and sardines very thoroughly , mashing them with a fork until you have a smooth paste. CNI\nA killer hurricane nearly flattened Sylvester Stallone's five luxury homes in Hawaii.\n"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "In this frame a Deformer deforms a Patient possibly against a Resistant_surface such that it undergoes a shape-change from its canonical or original shape into the Configuration, a new shape. Some of these words indicate that the Configuration is an undesirable alteration of the norm, and in such cases the lexical unit is marked with the semantic type Negative_judgement. This frame does not include senses that specifically indicate causing harm to a living being. Ellen crumpled the paper into a ball. Michael flattened the can against his head. Mix butter and sardines very thoroughly , mashing them with a fork until you have a smooth paste. CNI A killer hurricane nearly flattened Sylvester Stallone's five luxury homes in Hawaii."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "In this frame an Deformer deforms an Undergoer possibly against a Resistant_surface such that it undergoes a shape-change from its canonical or original shape into the Result, a new shape. Some of these words indicate that the Result is an undesirable alteration of the norm, and in such cases the lexical unit is marked with the semantic type Negative. \nThis frame does not include senses that specifically indicate causing harm to a living being.\nEllen crumpled the paper into a ball.\nMichael flattened the can against his head.\nMix butter and sardines very thoroughly , mashing them with a fork until you have a smooth paste. CNI\nA killer hurricane nearly flattened Sylvester Stallone's five luxury homes in Hawaii.\n"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "In this frame a Deformer deforms a Patient possibly against a Resistant_surface such that it undergoes a shape-change from its canonical or original shape into the Configuration, a new shape. Some of these words indicate that the Configuration is an undesirable alteration of the norm, and in such cases the lexical unit is marked with the semantic type Negative_judgement. This frame does not include senses that specifically indicate causing harm to a living being. Ellen crumpled the paper into a ball. Michael flattened the can against his head. Mix butter and sardines very thoroughly , mashing them with a fork until you have a smooth paste. CNI A killer hurricane nearly flattened Sylvester Stallone's five luxury homes in Hawaii."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .